Secure Your VO Floatation Device: Are You Sponge Worthy?

Yellow-SpongeThe big VO talent sponge, in which we cling is saturated to the point of being unable to absorb any more. Capacity has hit a limit and any moment now we’ll hear a great big soggy SQUISH!!!

Just thought I’d toss that out there. It’s my opinion.

Welcoming All Comers

Folks out of work are hoping a swing at a voice-over career will get them by. Parents home with kids are looking for some easy-grab money. Even retirees are giving it a go. And why shouldn’t they? They’ve read it’s easy, there’s work for everybody and working in pajamas is super cool!

Polly Anna Would Love Us!

As a group of clear-speaking, well-intending professionals, we put a positive face on and pretend everything is fine and there is room for all. Heck, I welcome any talented individual who has it together enough to jump in the sponge. I wish them well and will provide any advice when asked.

The Low-Ballers

There is this ever-present thing with low-ballers. These folks will do anything on the cheap. That’s outrageous you scream, but they simply don’t care, I reply.

The sad truth is that the low-baller mentality is this bread’s suicide pill. They are in business for a few magical months, and after a time, will most likely decide it’s not so magical and the money amounts to just enough to buy a thimbleful of used breakfast cereal.

So they leave. Only to be replaced by the next wave of Kitchen-Table-Studio-VO-Newbies from the Low-Baller Academy. It never stops!

To use a phrase coined by Elaine from the TV show Seinfeld, they are not “sponge-worthy.”

Can’t Get No Satisfaction

I’ve read a number of blog posts from established talent who are feeling the impact of the impending squish. They are finding gigs elusive and are auditioning more and landing fewer jobs.

The letters and messages I’ve received personally and read in a variety of online forums, indicate that instant gratification is at an unattainable level. “How do I get jobs today?” “I wan’t to make good money.” “How come I haven’t landed one job in over a year?” “How come nobody is contacting me?” I don’t have the exact answers for any of them. Do I utter encouragement to keep going? <heavy sigh> …yeah.

I wonder, are we doing our biz a disservice by being so openly optimistic? Shouldn’t we instead be writing and talking about the direction voice-over has taken in precise, laser focused words that everybody can understand?

But WAIT, There’s More!

Voice-over support seems to be in the business for it’s own sake. An increasing number of options for education are popping up. Personal coaching, Online group classes, virtual meet-ups, studio workshops, and a growing number of conferences. Go. Buy. Enjoy. All are tax deductible!

Yeah, they’re all write-offs. When tax time comes around they end up being line item deductions. However, there has to be income to make the expense a tax deduction.

Pain-to-Play

Pay-to-Play sites continue to pop up, offering the chance to audition with 100s of hopeful, (and UN-vetted) new talent. The competition is fierce for these lower paying jobs. It appears to be a race to the bottom for the new voice-over talent coming online to participate. Are they forcing the rates of all gigs down? Could they be creating a VO bubble?

A Possible Direction

On the (not-so) far-fetched side, since the ‘natural’ or ‘conversational’ delivery is the direction more producers ask talent to go, how soon will it be before voice-over is handled in-house by the clients. They sound natural and oh so conversationally convincing, right?

Almost Done…

When a sponge releases water, it’s indiscriminate about which molecules get pushed out.

Are you ready for the squish? What will it take to survive? Will you remain in the talent sponge or be wrung out and looking for someone to buy your gear? Is there anybody safe from the squish?

Your comments are always welcome.

© 2015 J. Christopher Dunn

Session Improvement Tips for Producers from Voice Talents

Tips-and-ToolsFill in the blank: “During my last session, I wished the producer would have ________________________.”

Or, if you’re a producer, “During my last session with a voice talent, I wished I would have ________________________.”

The job of a producer is not an easy one. They are part psychologist, part friend and part conductor. One minute, hand-holding a talent through a tricky script read.  The next minute, driving to keep the session from going off the rails.

Good producers want you to perform well and will do what it takes to bring out your best.

At the end of one of my sessions, I was asked by the producer if I had time to chat about working with voice talent. I was the first he’d directed and he felt unsure of his working method.

He was asking about what to do and know before the session begins and how to direct during the session.  I came up with a handful of suggestions, which I shared with the producer.

It Got Me Thinking

Afterwards, I wondered if I may have missed something so I asked the Voice-Over Pros group on Facebook for their thoughts and suggestions.

Their responses were brilliant and clearly came from the perspective of having worked with many producers over several years.

Another producer recently asked me for similar feedback so maybe there are others who would like the same. I think it’s good idea to make the info available to a wider audience.  So, I’ve compiled the best responses from Facebook and removed contributor names since the group is closed.

From The Mouths Of VO Pros

If you’re a producer, consider the things you may be missing. If you’re a voice talent, here’s some useful insight to remember during your next session.

Imagine being at the local pub or coffee joint and overhearing this conversation…

“Keep the sessions light, relaxed and fun where possible. Nobody’s life is on the line.”

“The thing about voice talent, as apposed to actors doing VO, is that we are generally affable and have a desire to fulfill the vision of the producer rather than have the producer conform to our artistic vision…”

“Always compliment them first.”

“Clear communication… From my time in the producer’s chair I found that open clear communication and friendliness got what I needed every time…it’s recording, not rocket science…”

“Keep their confidence high.”

“One safety is appropriate. When a producer asks for SEVERAL safeties then I’ve either not hit the magic spot or I’m totally clueless to what I’m being directed to do. In either situation, those extra takes are really not for safety, it’s more like the director saying, “what else ya got?” Yeah, there are times what a director says and what a talent hears is a mismatch.”

“…cant tell you how many sessions have been saved because of safety takes. Some times there are micro issues in your “good” take that you don’t hear until final processing of the vocals….and many times, the safety take can be even better than the “good” one….because the “pressure” is off the talent. I used that as a technique to get the delivery I wanted on numerous occasions…”

“In a commercial session, time your script before the session starts, and if it’s in danger of being long, have some edits in mind beforehand.”

“Always have the check cut so you can pay the talent when they leave!”

“Be positive, encouraging, and be mindful of the fact you both want the same thing and by working together you’ll accomplish it.”

“Trust the talent to tell the story. Don’t microdirect!”

“I’d never say this to a producer but: Know what you’re looking for before you hear it.”

“Sometimes the talent is not seeing the story the way the producer is hearing the story in their minds. I remember working with a talent once a long time ago in a galaxy far away where I was directing something that I had written. I could not get the talent to inflect the words I wanted inflected. I do this to myself in self-directed sessions. I record, and then during the edit I hear that I inflected the second word in a two-word grouping and send myself back into the booth to redo it. Sometimes by the time I get into the booth and find the script and record it again, I end up doing the same thing.”

“My advice to producers is, don’t settle. If you haven’t gotten exactly what you wanted, explain what you want done differently and go again. And once you do get what you want, say so.

“The moment a Producer makes the vo perp feel welcome, and at home, he/she can lead you a million miles in any direction.”

“It’s challenging working with anyone who isn’t sure what they’re looking for and it seems a bit time consuming coaching a client or producer on how to coach us. In the friendliest way possible, I would tell them to call me when they have a good idea on how they want the script read. Or, if the rate is good and the script is short, I don’t mind doing multiple takes for them and avoiding the live directed session altogether.”

“Know what you want! Be open to possibilities…but know what you want before the talent steps in front of the mic.”

“… remember why you hired this particular talent in the first place. They are trying to essentially interpret what is in your head and give their own spin on it.”

“…be clear in your communication on what you are listening for…. and if you don’t know, let the talent know that you would like to try a few different approaches to the project and even ask for suggestions. Creating a comfortable atmosphere is also a big help…”

“I agree with everyone else and would add: have another person look over your script and make sure it’s at least assumed to be the ‘final’ before you bring in the talent.”

This virtual conversion was priceless and full of suggestions that would help make most sessions a breeze to get through.

My Advice

Adding to what was said by other VO Pros, this is what I shared with my producer:

  1. Make sure the script is final and has been approved by the client.
  2. Keep the session relaxed and offer input when necessary.
  3. Allow the talent some creative freedom.
  4. Keep the momentum of the session moving forward.
  5. Take breaks during long-from narration sessions.
  6. When hearing mouth noises, suggest a water break.
  7. For short sessions with commercial scripts, allow the talent to make it through the script once before taking them in a different direction.

I’m sure there are more that haven’t been mentioned. So, I ask you, what would be the single best thing you would share with a producer or director that would improve their workflow during sessions?

Please leave your comments below.

© 2015 J. Christopher Dunn

Other posts you might find interesting:
Five Tips for Better Client/Talent Workflow
Unplugged and Loved It!
The Disturbing Voice Disappearance

How do I become a voice talent? (An Easy-to-Use Answer)

  • 6632470867_ba032a9bf2_o“How does one get started getting work as a person doing voiceovers?”
  • “I have received comments throughout my life about my voice and how it would be great on the radio or TV.”
  • “I’m curious to find out more about what doing voiceovers actually entails.”
  • “Any words of wisdom about voice work for one such as myself?”
  • “I am a theater actress interested in pursuing a career in voice over and was impressed by your credentials and education and thought I’d shoot you an email.”

And so it begins.

Every week, I receive at least one request for information on how to bust into the business of voiceover. Maybe you do too.  So, what is the best way to respond?

I’ve posted my thoughts to many forums -suggesting how to proceed, so I’m pretty sure my name has come up in a Google search. I’m honored! I don’t have a problem with people contacting me for info for a couple of reasons:

  1. Many established voiceover talents received questions from me when I was investigating VO. I got some amazing, helpful answers and guidance. So, I’m paying it forward.
  2. The person asking me for guidance is willing to do some ground work before moving forward. I respect that.

Instead of handcrafting a personalized response every time I’m asked the question, I’ve written what I think is something every person considering a career in voice work should read. I’m so convinced of its usefulness, that I’m sharing it with you today.

Social media has made people who once read in to scanners and verbose content is passed over as too wordy. I deliberately kept my letter brief and to the point so the VO-curious can quickly be on their way.

Please, don’t hesitate to copy and paste verbatim what I’ve written into an e-mail or social media conduit. Or, change it as you see fit. And feel free to link back to my website, JChristopherDunn.com.

The Letter

Re: How do I become a voice talent?

Hello,

There is a well written e-book, YouTube videos and a number of blogs that cover getting (back) into voice work, which should answer a number of your questions. My top-level advice is to research the business, talk with many voice talents and keep your day job.

With that said, start with the free e-book, “Voices of Experience,” written by working unnouncer Doug Turkel.

Next, check out Peter K. O’Connell’sThe Voiceover Entrance Exam.”

Professional Voice Talent Paul Strikwerda has made a career in voiceover for over 20-years. His YouTube video, “The Troublesome Truth about a Voice-Over Career” provides educational insight for anybody considering creating voiceovers for a living.

After you’ve read and watched the above and are still set on making voiceover your choice for earning money, read Rachel Fulginiti’sThinking Of A Career In Voice Over? 10 Key Questions To Evaluate Your Potential.”

Audiobooks are a popular segment for many voice talents. If this area interests you, watch narrator Sean Pratt’s video, “So… You Want to Be an Audiobook Narrator?

And then take a look at the following posts, blogs and websites…

Finally, do a Google search on voice-overs, voiceover, “voice over”.

I’m sure you’ll have questions as you read so feel free to contact the article writers for answers or suggestions.

Good luck with your future endeavors and remember, KEEP YOUR DAY JOB!!!

All the best,
J. Christopher Dunn

Does it work?

Specific. Informational. Relevant. This will get them on their way to more research and will have them making their own choices about whether the voiceover universe has room for them.

What do you think? Is this the right message to send to hopefuls? What would you add or change? Please share your comments below.

© 2015 J. Christopher Dunn

Other posts you might find interesting:
6 Questions to Ask Mr. Google!
Your Next Client Could be a Return Call Away
Are You Available?

A Fish Story and Your Studio

Lake Quinalt Lodge
Lake Quinalt Lodge

A few weeks ago, Cameron and I traveled to the Olympic Peninsula to spend a few days at the beautiful, historic Lake Quinault Lodge. The weather was unseasonably perfect with sunshine and comfortable temperatures. It was a perfect getaway.

Before we made it to the lodge, we took a detour to Neah Bay to enjoy the Makah Museum and grab some smoked salmon Cam read about in Yelp. The museum was spectacular with many Native Makah artifacts and loads of historical references and information about the Makahs. It was well worth the drive.

TakeHomeFish
Take Home Fish Co.

Our other destination, Take Home Fish Company, was quite a surprise. When Cameron told me about it, I imagined a well-lit store with a refrigerator case packed with smoked salmon and other delicious Pacific Northwest treats. To my shock, my imagined fish shop was nothing more than a garage, slightly modified to be used as a fish shack.

Diesel flavored smoked salmon swam through my thoughts.

We walked in feeling skeptical about the offerings. Diesel flavored smoked salmon swam through my thoughts. The guy behind the small counter presented us with a number of options, which were neatly vacuum packed and ready for immediate sale.

This was it? I admit, I hadn’t taken the time to check out Yelp to see what this place was about. I was close to walking out without spending a dime. Cameron was a more willing customer and decided on two vac-packs of smoked fish, one salmon the other deep sea black cod.

Makah Bay
Makah Bay

As we drove away from Neah Bay with our purchase, I started thinking about the many voice talents starting out who create their magic from a closet, spare bedroom and other home areas that don’t resemble a studio, even remotely. If an area can be treated and used to record and the result is flawless fidelity, what does it matter?

I’ve read studio descriptions from established talent who don’t record in a closet or bedroom but have an acoustically designed booth of some sort. I congratulate them for making the financial decision to invest in their recording area. But, it’s uncool to trash talk those who work out of something less and still deliver amazing audio.

Evidently the clients don’t care as long as it sounds good.

The deliverable is what the client is most interested about. I’m pretty sure they care 1% or less how or where their ready-to-use sound was created. They know what sounds good for their project. I’ve read about jobs being done in hotel rooms with comforters, blankets and pillows used to create a satisfactory recording environment. Evidently the clients don’t care as long as it sounds good. It they did care where it was recorded few people, if any, would record on the road.

Lake Quinault
Lake Quinault

And, as for the smoked fish? Best. Smoked. Fish. EVAR! It was tasty and the perfect first meal at the Quinault Lodge. We gobbled down the fish along with some cheddar cheese, sourdough bread and a few glasses of port. Kimm, the owner of Take Home Fish Co. didn’t need a fancy store or state of the art tools to create what will be tough to beat by anybody else smoking fish. He had talent and an understanding of how to best use his workspace.

© 2015 J. Christopher Dunn

Other posts you might find interesting:
6 Questions to Ask Mr. Google!
Your Next Client Could be a Return Call Away
Are You Available?

6 Questions to Ask Mr. Google!

MrGoogle2The Google search box begs me to type in a question whenever I pop open a browser. The code-smiths of Google have spent years creating and refining their cornerstone service. Of the search engines available, Google is by far the most robust and powerful answer retriever available.

Google made search non-geeky by allowing the use of simple phrases. That’s helpful to me when I’m working in my studio; I’d rather reserve my brain power for creativeness behind the mic. Here are a few tools I use regularly that you should try.

Say WHAT?!

Whenever I get a script that has a word I don’t know how to pronounce, my go to helper is Google. The results include entries from several sources including Forvo.com, howjsay.com and others. This comes in handy for audition scripts when the client isn’t available. And, it’s particularly helpful for audiobook production. In the search bar type in…

How do you pronounce [word I’d like pronounced]
(How do you pronounce discombobulated)

At the Tone, the Time is…

I’ve got clients all over the planet and the multiple time zones are difficult to keep straight. A quick way to check current time info is to ask Google. The current time, date, and time zone displays taking the guess work out of calling a client at an appropriate time. Type in…

What time is it in [City] [State] or [Zip Code]
(What time is it in Pie Town NM) 

City and State, Please.

When I’m crafting one-off marketing e-mail to clients, I like to check out what’s going on in their town so I can personalize my message. Google makes getting quick details a snap! I get the basics, including time and current weather, plus points of interest, upcoming events and more. Type in…

[City] [State]
(Poughkeepsie NY)

It’s How Far?

Got a gig at a studio in another town? When your travel expenses include mileage and you need a quick way to calculate the distance, Google is the undisputed source for speed. Type in…

[Starting point] to [Ending point]
(Left Hand WV to West Thumb WY)

Convert this!

With clients all over the globe, I occasionally have one that want’s to pay me in their local currency. Google has a mind for conversion and has no problem returning a value based on the current exchange rate. Type in…

[Amount] [Currency 1] to [Currency 2]
(1500 USD to GBP)

Let Me Google That for You

Could an answer be just a Google search away? You probably know somebody who asks questions that trigger you to think, “Why don’t you just Google it?” To help them see the laziness of their ways, use LMGTFY to create a search and send it for them to use.

This is my fav… http://lmgtfy.com/?q=How+do+I+become+a+voice+talent%3F

 

Those are the ones I use the most, and of course there are many more Google tips and tricks to discover. What is your favorite Google shortcut or tool—one you couldn’t get along without in your studio?

© 2014 J. Christopher Dunn

 

Other posts you might find interesting:

Your Next Client Could be a Return Call Away

5 Reader Recommended VO Podcasts Not to Miss

The Disturbing Voice Disappearance

10 Tips for a Healthy Studio

LittleSneezeI sat in a restaurant the other day and watched a grade-school sized child endure a massive coughing and sneezing fit. By massive, I mean a series of sneezes followed by a volley of gurgle filled coughs and then more sneezing. While I felt sorry for the tyke, all filled with snotty goo, I was happy to leave her behind as I walked out the door into fresh air.

According to Weather.com Cold and Flu Facts, cases increase during the fall and winter months, then taper off in March and April. Homes with children are more susceptible to these seasonal visitors and women have more colds than men. If you’re a 60-something, your chance of having a cold drops considerably, less than once a year on average.

If you work from home in your personal studio, your chances of coming into contact with a cold or flu carrier is lower, significantly lower if you live by yourself. And, it’s almost guaranteed you won’t get ill if you live in a cave. Some caves have good ‘coustics!

However, if you are a parental unit with a spouse and kids, your chances are pretty good that you’re going to get exposed to somebody who is beta testing the latest strain of cold or flu. You’ll have what they’re having and you’ll pass it on to your studio.

Your studio is the money maker. Sure, you’ve got the pipes and sound super cool when you’re recording whatever it is that gets producers to write you a check. But, without your studio you’d be reduced to using string and cans or traveling to somebody else’s hood to record.

Think of your studio as a living being, one that you have a symbiotic relationship with. You both rely on each other for survival and just a bit of common sense will help keep your studio free from nasty cold and flu bugs.

With that in mind, here are some tips to keep your studio in healthy, usable shape through the season.

Maintain a Perimeter – Your studio is sacred and should only be accessible by the truly healthy. Reduce the potential of ill-inducing germs getting in your way by limiting or eliminating access to anybody who has symptoms. That includes you. If you’re sick and only working because you “feel” you should, don’t. Take time to repair, stay away from the sickos.

“…give your pop filter a rise with warm soapy water.”

Clean Equipment – Once a week, give your studio a cleaning. Clean you monitor, wipe down your keyboard and mouse. Use an electronics-friendly cleaner and a soft cloth on your other pieces of gear such as speakers, audio interface and control surfaces. Finally, give your pop filter a rise with warm soapy water.

“…when I get congested I sound like poo.”

Work Station – Dust makes me sneeze and when I sneeze I get congested and when I get congested I sound like poo. Use a clean cloth and surface cleaner to pick up the week’s accumulation of micro-particles. Your studio will appreciate your hands-on approach to keeping its surfaces clean.

“…stress will take a hike and your efficiency will improve.”

Studio Area – Stress is more than happy to give cold and flu a hand when it comes to plying their ickiness. Keep stress to a minimum whenever possible. Keeping your area organized and clutter free will reduce stress and even make you feel more on top of your game. With you studio in order, stress will take a hike and your efficiency will improve.

“…wash your hands first before heading into your studio.”

Wash Your Paws – During my early years in school at Belgrade Elementary, the teachers were constantly reminding me to wash my hands. Not just reminding me actually, but everybody. At the time I thought it was a dumb idea and a big time-waster. There were more interesting things to do.

OK, so, now I get it. Washing hands reduces germs. When you come in from the outside world (that’s any place that’s not your studio) wash your hands first before heading into your studio. If you find yourself hand washing a lot, use cooler water. Hot water strips away oils that keep your hands from getting chapped. Regardless of water temperature, make sure to use a hand soap you like. Maybe a nice vanilla almond or lavender.

“…their potential for carrying seasonal germs IN while carrying the garbage OUT is quite high.”

Garbage Patrol – It’s like washing your hands. Nobody enjoys emptying the garbage can. It’s just one of those things that you have to do. Remember to keep your perimeter up and empty it yourself. While one of your child slaves might have the weekly duty, their potential for carrying seasonal germs IN while carrying the garbage OUT is quite high. Don’t allow them to pollute your space.

“Your Sneezes and coughs increases air-born gunk that other people can breathe in.”

Be polite, Cover Your Pie-hole – You’ve done everything I’ve suggested in this list of paranoia and still managed to get sick. Now you’re taking it easy to recover so you can get back into your pristine studio. Your Sneezes and coughs increases air-born gunk that other people can breathe in. Do what you can to reduce that from happening. When spontaneous histamine triggered expelling occurs, do it into a fresh tissue and then toss the entire mess away. No tissue in  sight? Sneeze or cough into your shirt sleeve, at the crook of your elbow.

“…they wont stop until you are feet up in bed and ankle deep in bunny slippers.”

Don’t Stick Your Fingers in Your Eyes, Mouth and Nose – This should be obvious. In case it’s not, your hands collect a lot of garbage, hence the hand washing. If you stick a finger or your small one sticks a finger in any of the above mention places, you’ve just released the hounds on your immune system and they wont stop until you are feet up in bed and ankle deep in bunny slippers.

“When you’ve captured a cold or flu virus, staying hydrated is doubly important.”

Stay hydrated – Drinking several ounces of water a day is just part of what we do. It keeps our pipes in working fashion, reduces mouth clicks and keeps our thirst at bay. When you’ve captured a cold or flu virus, staying hydrated is doubly important. Your body uses the water for everything and when you’re sick, it uses more of it.

“Stress will raise its ugly head when you’re feeling cold and uncomfortable.”

Feel Better – While you’re recovering, there are a few things you can do to feel better. Hot drinks with honey and lemon are a start. There are some home remedies that suggest adding a shot of your favorite spirits to a cuppa something. While it sounds good on the surface, alcohol is a dehydrator, which will work against your hydration process. I’m a fan of the herbal tea ThroatCoat or something a bit wilder like Bengal Spice or Orange Spice. And, your body will benefit nicely from extra rest and sleep. It’s working hard to get you back in the studio so give it a chance with some time. Also, keep warm and comfortable during recovery. Stress will raise its ugly head when you’re feeling cold and uncomfortable.

Start counting down the days until warmer, more humid weather. Mark the first day of spring as the un-congested light at the end of the cold and flu tunnel. Then you and your studio can relax. Until then, can I offer you a vitamin C or zinc tablet?

© 2014 J. Christopher Dunn

 

Other posts you might find interesting:

Your Next Client Could be a Return Call Away

5 Reader Recommended VO Podcasts Not to Miss

The Disturbing Voice Disappearance

Watch and Learn – 6 Video Series for Voice Talents

Are You A Watcher or A Listener?

It’s possible you prefer one over the other when learning or discovering new ideas and methods. I’m more of a watcher and appreciate professionals who take the time to produce enjoyable content.

In my three prior posts 12 Voiceover Podcasts You Should Not Miss (Part 1, Part 2) and 5 Reader Recommended VO Podcasts Not to Miss I gave you a number of podcast choices that related in some way to the business of voiceover. I received comments about several video selections that people enjoyed as well, and that is the subject of this post. Watch and learn.

 

VO_Buzz_WeeklyBy far, the watchable with the most recommendations was VO Buzz Weekly, hosted by Demo Producer/Director Chuck Duran and Voice Actor/TV host, Stacey J. Aswad. Each weekly episode features entertaining guests and deep-dive interviews. You’ll be fascinated with the backgrounds and journeys that many top voiceover professionals have made. Past shows include Townsend Coleman, the man behind the voice of TMNT Michelangelo; voiceover educator and active voice actor; Pat Fraley and voiceover coach Nancy Wolfson.
VO Buzz Weekly on YouTube

 

East West Audio Body ShopConsistent and unpredictable (in a good way!) best describes East West Audio Body Shop. Almost every Monday (6PT/9ET) The Home Studio Master, Dan Lenard and VO Studio Tech, George Whittam host a live 90-minute webcast that covers a wide range of interesting VO topics. From audio processing, hardware selection and mic technique to interviews with established audio and voice talent professionals. Recent shows covered demos, new voiceover awards and a fan roundtable. As an added feature, a chat room gives you instant access to the hosts where they can read your questions, comments and opinions.
East West Audio Body Shop on YouTube

 

2011-George_Whittam-headshot

When your voiceover appetite is leaning towards something more geeky and technology based, George Whittam has you covered with Edge Studio’s, Whittam’s World. George is the go-to guy when it comes to the studio side of your voiceover business. Each week he discusses a specific topic in depth and provides real world advice and suggestions about how to get the most out of your personal studio. George is a graduate of Virginia Tech with a Bachelor’s degree in Music and Audio Technology, which makes him a welcome specialist.
Edge Studio’s, Whittam’s World, on YouTube

 

AMY-WALKER-LOGO-AWOLfinal21

There are days when a voiceover pick-me-up is called for. Amy Walker delivers with a fun, sometimes quirky weekly video. She’s talented and has no hesitation going over the top with her brand of entertainment. Known for several videos featuring convincing accents, Amy is also a comedian, a singer, and a motivational spirit. Her latest submission is a Joan Rivers tribute and Amy does an amazing job of channeling the energy of the recently passed comedian. Her videos are like a good bag of chips without the nasty calories. Once you watch one, you want to watch another.
Amy Walker on YouTube

 

Bill DeWees

Could it be possible to know so much about the voiceover business that creating an ongoing, weekly without repeating content appears effortless? Check out Bill DeWees from Voice-Over-Training.org. Each week Bill reaches into his bag of experience and pulls from it an interesting observation on just about any aspect of a voiceover business. Suggestions on dropping the announcer sound in favor of creating a real sounding voice is one of his most popular videos, along with building a money saving home studio, and a tip about reducing narration mistakes. Many hours of voiceover education from the convenience of your computer screen. The second best part is it’s free.
Bill DeWees, The Voice Over Expert, on YouTube

 

music-radio-creative-radio

Do you use Adobe Audition? Would you like to dabble in production? Mike Russell will teach you how to get more out of Audition and encourage you to go beyond just recording your voice. The series of Music Radio Crative videos expertly covers many areas of Audition you may not have considered. Several episodes cover podcasting and production tips and tricks to use with your studio recordings. Make your voice sound better; general Adobe Tutorials, and adding effects to voiceovers are a few from the list of Mike’s most popular videos.
Music Radio Creative on YouTube

These are only a tiny number of mind expanding videos related to voiceover and I’m sure there’re more. What one video do you watch that’s been a huge help for your voiceover business? Leave a comment below. I’d like to know about your recommendations.

© 2014 J. Christopher Dunn

 

Other posts you might find interesting:

5 Reader Recommended VO Podcasts Not to Miss

Your Next Client Could be a Return Call Away

The Disturbing Voice Disappearance