There are a number of voiceover successes I’m very proud about from this past year. I don’t want to gush about anything specific, lest I trigger your sensitivity to bragging.
No, instead, I’m going to share a handful of things that made me smack my head in disbelief. These are my “Oh, yeah… I probably shouldn’t do that” moments, those little slices of time that remind me that I’m human, and not above making bonehead mistakes that make my peers say, “You did what!?”
- Using an iPad for script reading in place of paper is a smart, efficient move. Attempting to markup text with a pencil on an iPad is neither smart nor efficient.
- Listening to the always entertaining “NPR Pop Culture Happy Hour” while reviewing scripts will distract me from catching even the most obvious mistakes.
- Rehearsing an audition script while participating in a webinar is a fabulous way to multitask. Note to self: Make sure to mute the microphone when not interacting with the host or other participants. Nobody is interested to hear my practice runs broadcast across the web over the top of a live webinar.
- Listening to classical music empowers me to have uber-focus and smooths occasional pre-session jitters. Rocking out to AC/DC or Nazareth before a recording session is great for getting my pulse pounding; nerves rattling; and ends up being the opening act for multiple takes.
- Tis a bummer to record an award worthy session only to find out no sound was captured. Headphones are useful to verify that my audio gear is in record mode and not playback.
- High winds on Whidbey Island create a bellows effect in my house while recording and treats the diaphragm of my trusty Bluebird like a brown paper bag used for hyperventilation.
- Deep cleaning the house gives me a feeling of accomplishment. Vacuuming, de-cluttering and dusting. I like a clean house. The dusting part is great for setting histamines in motion, giving my voice a nasally, plugged up tone, suitable only for decongestant commercials.
- A thick, all cotton sweatshirt is not only necessary to keep me warm but also acts as an extra sound absorber in my booth, a former wine cellar. The same cannot be said for shirts made of corduroy.
- Contrary to the wishes of one overseas client, no matter how hard I try, I cannot sound “un-American”. My auditions sound like me, and I sound like my auditions.
- Comfortable shoes are important for long periods of standing behind the mic. Wearing shoes of various sole or heel heights from one day to the next causes my voice to take on inconsistent characteristics because mic proximity and sweet spot target became victims of my shoe fetish.
- Corks from wine bottles are useful in improving articulation for a lazy mouth. Wine that is aged in the bottle can be delicious. Wine aged on the cork is disgusting. A washed cork is a more agreeable experience.
- Staying hydrated is super important for me. It ensures that dry mouth is significantly reduced and all the parts inside my mouth are well lubed. My keyboard and mouse are not in need of the same attention. A water bottle left in their proximity is a setup for desktop disaster.
- Eating a yummy ham sandwich an hour before a patched session will make me drink 48 ounces of water during the session and cause SEVERE mouth noises. (Sorry Matt!)
- Chewing gum assists in getting rid of cotton mouth. However, while building well defined jaw muscles, it has an adverse affect on fluid mouth movement, making most speaking less articulate.
- Altoids are a great substitute for gum chewing. Chewing one before entering the booth creates minty fresh breath. It also provides my tongue an opportunity for calisthenics as I attempt to remove the crushed Altoid bits from my teeth. Suck, don’t chew!
You know you have them. Don’t be afraid to share them. What were your “Oh, yeah… I probably shouldn’t do that” moments in 2013?
Other posts you might find interesting:
You may or may not be a professional voice person but you are somebody who enjoys learning about the biz, right? Otherwise you wouldn’t be reading a blog about voiceovers. Now that I have that out of the way, I would like to direct your attention the information below. You’ll find details about VoiceWorld Toronto Conference.
This will be a key opportunity for you to meet like minded people, hear from experts that have been doing the voiceover craft for decades and enjoy the beautiful city of Toronto.
Date: Saturday May 4th, 2013
Time: 8:00 am – 5:30pm
Location: Toronto Hilton Hotel
Prepare to be educated, equipped and empowered
- Audition like a pro — understand the do’s and don’ts of auditioning in person and online.
- Learn the ins and outs of the voice acting business, and what it takes to be a successful voice-over talent.
- Get into business — explore ways to turn your voice acting talent into a business.
About VoiceWorld Toronto
VoiceWorld, the industry’s premier conference, being held in Toronto in 2013, is an immersive experience focused on engaging voice actors from across Canada and the United States. Connect with amazing, influential people who can change your life through courses in artistic development, business and technology preparing you for success in the exciting world of voice acting. A breath of fresh air, VoiceWorld sets out to invigorate and intensify your love for the art of voice acting as never before with an action plan for you to take your business to the next level.
VoiceWorld Toronto Speakers
- Pat Fraley – Man of Four Thousand Voices, CESD Talent Los Angeles
- Elley-Ray Hennessy – Award-winning actress, Director and Producer
- Deb Munro – International Voice-over Talent and Coach
- David Ciccarelli – Co-Founder and CEO of Voices.com
- David Goldberg – Owner of Edge Studio
- Dan Lenard – The Home Studio Master
- Sunday Muse – Voice-over Artist, Author and Coach
- Dave McRae – The Voice Mann
- Stephanie Ciccarelli – Author of Voice Acting for Dummies
- Wayne Young – Audio Producer and Mixing Engineer
Early Bird Special ends February 28th!
*Tickets are limited. Purchase your full conference pass by visiting, http://voiceworldtoronto2013.eventbrite.com/
First, let met point out that books are not dead! While mobile devices like the iPad and Kindle have reshaped the publishing landscape, books are still useful. They offer a wealth of information that’s just a page turn away, whether it be digital or physical. While I can dive into the Internet and search for answers, I also like having a book written by a knowledgable expert that’s within easy reach.
The reference library for my voice-over business ranges from setting up a home studio to marketing my services. The books I’m sharing with you are what I think are some of the best available for people investigating, starting up on, or successfully working in the voice acting or voice-over business.
James Alburger has earned eleven Emmy Awards, Omni Intermedia Awards, and Silver Microphone Awards for his work as a director and audio producer. He has over 35-years of experience as a performer and in the recording studio. James has condensed his success into a book that every person interested in a voice acting career should read. “The Art of Voice Acting” features chapters that include a business overview, working with copy, auditioning and studio stories. The book includes a CD of demos from top voice-over artists along with exercises to help prepare your body, mind and mouth for optimal performance.
This was the first book I bought for my voice-over reference library. The duo of Hogan and Fisher do an amazing job of explaining what’s needed to set up a home studio that’s suitable for recording. They cover hardware, software, production techniques and more. Both authors have had fascinating careers and you get a glimpse of that along with all their helpful information. This book will help get your brain wrapped around the basics of working from a home studio.
There is something for everyone in this book. Yuri and Tara explain the art of voice-over in a casual but very knowledgeable approach. They draw from a number of years of combined experience with clients that include Disney, Nickelodeon, Cartoon Network, EA, Activision, Ubisoft, Dell, McDonald’s and Budweiser. The book includes a great chapter on warming up your body and vocal path before you audition or perform. I’ve adopted this into my daily routine.
The approach of this book is to train like an athlete. Long time veteran Janet Wilcox breaks down the process into understanding the rules of the game, training, preparing to compete, and discovering your game or what you’re good at. Janet has done a great job of making what can be ambiguous in the career path of voice actor more understandable. The included CD features exercises and interviews with top voice-over talent.
This book is a must read to get insight from the top voice-over pros. Each chapter is written by a professional who candidly shares their life as a voice actor. You’ll discover how Jim Dale, the voice of all the Harry Potter books, was in the right place at the right time. Each chapter ends with an industry secret, based on the experiences of the chapter writer. A CD is included, which features the demos used by the book’s contributors to get voice-over work. The tragedy of Alzheimer’s struck home when Joan’s Father was silenced by the disease. Proceeds from the book go to The Alzheimer’s Association.
These are five from my library and I’m always looking for more. What books have you found useful in your career as a voice actor?
Congratulations on making the decision to set up a home recording studio. With your own studio, you can audition for voice over jobs as much as you want, improve your narration abilities and most importantly, be available to your clients for work. There are many options as far as equipment is concerned, and it should be easy to stay within a relatively small budget.
1. Recording Space
The first thing you’ll want to do is decide on a location for recording. A smaller space is easier to set up than a larger area and with the right sound absorbing/dampening material, you can create broadcast quality audio. The goal is to remove as much life or echo as possible. This can be done with sound absorbing material such as Auralex. Find a room without windows if you can. A walk-in closet would be perfect.
2. Digital Audio Workstation
Mac or PC? It doesn’t matter. I recommend that you use an operating system that you know since there will be a learning curve for understanding how to use recording software. There is no sense adding more to your educational stack by having to learn an unfamiliar operating system and recording software.
3. Computer Audio Interface
To get your voice into your computer, you need a computer audio interface (CAI). A single input is all you need to get started. The Apogee One features a single input interface that’s simple to use. Another choice is the MicPort Pro from CEntrance that allows you to convert an XLR microphone to USB. Others to consider include the Fast Track Ultra CAI form M-Audio that will allow input of multiple voices simultaneously. Also take a look at the Lexicon Omega Studio. Since you’ll be using a condenser mic, make sure that the CAI you purchase has 48v phantom power.
Take a look at Adobe SoundBooth, Audacity (which is free) or use GarageBand if you go with a Mac system. Also on the horizon is Adobe Audition for Mac, which is currently in Beta. You want to record spoken words and get them to a file format that can be used in post production. ProTools is overkill. While it is the standard for experienced musicians and sound engineers, its not well suited for beginners. Keep it simple.
The Rode mics are great introductory hardware and they do an amazing job. Other mics to consider would be the Audio-Technica 2020 or 2030 and the Blue Bluebird. Since no voice is the same, it’s a good idea to audition a variety of mics. Some work better with deep resonating voices, while others do a better job with higher voices. Make sure you get a cardioid pattern condenser mic and pick up a pop filter. If you are buying over the net, check the return policy of the retailer. Order 2 or 3 mics and return the ones that fail your audition.
There are a number of options for headphones. Consider those from reputable companies such as Sony, Sennheiser, AKG and Audio-technica. If you are purchasing a computer audio interface make sure to purchase one with headphone amps built in. There really isn’t a need for a separate headphone amp.
When you purchase your hardware, ask the sales person to set you up with appropriate cables. Monster makes an excellent line with several price points. DO NOT GO CHEAP ON CABLES!!! EVER!!! You’ll need cables for mic, monitors and connecting your CAI to your computer.
Hearing what you recorded should be done with speakers equal to what your audience will be using. If your audience is primarily listening to the audio you create with their computer, then a smaller monitor is all that’s needed. Since you’re recording spoken word, stereo is not important. Consider self-powered monitors made by Mackie, Behringer, and JBL.
On Stage makes a great line of mic stands. Also consider a music stand to hold your copy while you read. Make sure to purchase solidly built stands.
10. Work Desk
Look for a desk that is comfortable to sit at and will hold all the gear you’ve purchased for recording. The desk should have a top large enough to accommodate your computer monitor, keyboard, mouse, audio interface and a pair of studio monitors.
This should give you enough information to start thinking about how you’ll assemble your home studio. In future posts, I’ll go into each one of these areas in more detail.